Snap Shot #44: Show Time

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Our little family of three is doing something we haven’t done for over a decade – we are heading west on Easter Monday to rub shoulders with the masses at the Royal Easter Show. The last time we all did this my son was about two and half. It was the first time he’d ever encountered certain animals – the ones not found on footpaths or at the zoo. These included cows. He had seen plenty of little plastic ones, of course, but was somewhat thrown by the size of the real thing. But once he grasped the concept, he then proceeded to point at each one and proclaim: “A cooooow.” This occurred a couple of hundred times as we made our way past their stinky stalls. The next year he and I went on our own. At one point he was on some kiddy ride and I was down below looking for something in my bag. I heard a kid calling out ‘Dad’ but didn’t think much of it and didn’t look up. But when that same voice started calling out “Charles”, I figured out who it was and looked to see my grinning three year old enjoying his ride. But now he’s a teenager, how will we all go on our first family RES trip in a long time? He has his own money in his pocket so that should minimise (though not eradicate) his pleading for us to buy him crap. And it is this celebration of crap that has always been something I’ve struggled with at these sorts of events and is probably what has kept me away for so many years. Each time I walk through a show crowd and see people carrying around the latest pieces of popular culture branded plastic shite, I get a little down. I think it’s such a waste and evidence of just how shallow our society has become. Interestingly, on this visit, though I’m aware of the parade of plastic shite, it doesn’t seem to bother me as much. Am I mellowing? Or have I just become resigned to the fact that I live in a shallow society? We soon see something that intrigues us – a tent full of egg shaped chairs with people being buffeted about wearing virtual reality head sets. My son and I decide to give it a go (though of course I have to pay the $20 required) while my wife watches. After some lost in translation exchanges with a Japanese operator, we are seated in separate pods and informed that we are about to go to Jurassic Park. We will be shooting dinosaurs – but aiming by moving our heads until we have the killer creatures in our sights. Soon I am transported into a 3D world – a world where Japanese is the language of choice. Having no idea what’s being screamed in my headset by a very distressed but sexy Japanese tour guide, I still get the general idea that I should try to kill the various rampaging reptiles before they kill me. One actually lifts me off the ground and drops me from a great height.  But I seem to survive and manage to kill more dinosaurs with a screaming sexy tour guide wrapped around me. The adventure finally finishes and I stumble out of my egg feeling very queasy. I had already informed my son that I may not be joining him on any rides and this has sealed it – no way am I paying any more money to get tossed and whirled about. Interestingly, this doesn’t seem to bother him. We both accept that our one token show thrill was shooting dinosaurs in a Japanese 3D world. I need food so we grab some mediocre lamb kebabs, chips and Coke. Though it shouldn’t, this settles my stomach. We’re then off to see some animals. My wife and I tell our son the ‘coooow’ story as we check out the latest bovine generation. Then it’s off to the chooks. Who would have guessed it but my son is fascinated with chickens. So much so that he considers spending his pocket money on a $30 chook (an idea which, once laughed at, is quickly quashed). It’s then off to the doggies. The line into the exhibition area is so ridiculous that we head straight for the arena. This turns out to be perfect timing as the Best in Show comp is just about to start. Half a dozen dogs of different breeds are competing to be top dog. One doesn’t even look like a dog but more like a tiny shaved horse. The crowd favourite is a misbehaving Malamute (my wife and son join forces to torment me by repeatedly calling it a Husky). Much to my surprise, the misbehaving Malamute takes the chocolates (though not literally as they would kill him – he has to settle for an oversized ribbon and multiple trophies – not sure why one isn’t enough). Speaking of chocolates, the time has finally come for what has always been the driving force behind my son’s motivation to come all the way out here – Showbags. He is disappointed to learn, however, that neither of his parents are in any way interested in Showbag Hell and will instead be going to check out the giant pumpkin at the food pavilion. He can go on his own and phone us later to meet up. Reluctantly, he trudges off while go check out a 174 kilo pumpkin. The food pavilion also holds such treasures as a stand selling Limecello (that’s right – not Lemoncello but Limecello!) and I buy a bottle of that and a Passionfruitcello for the Mrs for a mere $65 (bargain!). Once we are re-united with our son and all have some Lemon Myrtle ice cream (yum!), we sample some tongue tingling chilli jerky which I then buy. All happy with our various goodies, we then pile into the train and head back east, satisfied by our excursion into our shallow society’s Showland.

Snap Shot #43: Deborah Conway’s Ankles

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Once again I must confess to yet another memory whose details have grown fuzzy. The year was possibly around 1994-95 but could have been a little earlier or later. I was producing a music video for ABC Music but can’t tell you the song or even all of the featured artists, other than that there were a few. What I can confirm is that Deborah Conway, former lead singer of 80’s band Do Re Mi and by the mid 90’s a significant solo artist (“Alive and Brilliant” remains one of my favourite Aussie songs), was one of these artists. I must now also confess that I had nurtured a crush for Ms. Conway for several years and although I did my very best to feign a cool demeanour when told that I’d be working with her, I don’t think I fooled anybody. Although I was supposedly producing the clip, it’s low budget meant that I also performed whatever other minor tasks were required. One such job was picking up Deborah and taking her to location. Yippeee! I arrived at her place mid morning but she had just woken up and was not feeling (or looking) like a singing celebrity. So first stop was a café to get her something to kick start her day. She was a bit better after that but I could sense she was not overjoyed at having to perform. But professional that she is, she shook off her hangover and was soon being made up. This seemed to transform her into a star. We must have shot a few scenes with her but the one that I remember involved driving over the Sydney Harbour Bridge in a 1950’s candy apple red Cadillac convertible. (Here’s an interesting aside – I had to arrange the hire of the Caddy and got it from a garage that, a couple of year’s later, I would be living on top of in a little bachelor flat and, a matter of months later, I would then be driving such Caddys for weddings in an effort to earn money for my trip to Europe – strange coincidence…). Anyway, for safety reasons, with Deborah sitting on top of the Caddy’s backseat for a better camera angle, I had to be on the floor holding her ankles so she wouldn’t tumble off the back and feature on the six o’clock news. So there I was, laying on the floor of a Cadillac, my hands wrapped around the ankles of whom I considered to be one of the hottest women on the planet. Afterwards, when she was feeling more animated as I drove her back home, we had a very interesting chat about many things, including what her ex-lover, eccentric director Peter Greenaway, was like. And as special as this shared moment was, it didn’t come close to holding her ankles in the back of a Cadillac driving across the Sydney Harbour Bridge. It was and remains one of the highlights of my life.

Snap Shot #42: Read This

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I am buying the weekend edition of the Sydney Morning Herald from one of Bondi’s many Ezy Marts. I pay my money, smile at the guy behind the counter and am just about to grab the paper when the Ezy Mart guy beats me to it and starts flicking through the pages. This throws me and I watch him, bemused. I’m about to ask him what’s up when, again, he beats me to it. “Read this.” He points at an article at the top of page six with a photo of a guy taking a beach selfie with a couple of mates. “Ok – will do.” I grab the paper and leave before he has the chance to suggest any other articles. Once I’m home, showered and ready to read, I of course immediately turn to page six. The headline is: “Terrorism probe of fatal stabbing at service station.” As I work my way through it, I realise the article is about the Caltex shop worker who was killed by a couple of crazed teens in Queanbeyan the day before, possibly as an act of ISIS inspired terror. I had seen something on the news the night before. It was a sad story. But why had the Ezy Mart guy wanted me to read it? The Caltex worker was Pakistani. It’s possible my Ezy Mart guy was too. Did he know the victim? I look at the photo and notice that the two mates in the background have had their faces pixilated. Why? Maybe it was a Facebook photo and the paper didn’t want to track down the mates to ask for consent. I wonder if any of my Facebook photos will ever appear in the paper. Maybe the one of me dressed as a Japanese medieval warrior, sword in hand. It would be an ironic image if I’m ever a murder victim. My mind wanders back to the Ezy Mart guy. What if he had no other connection with the victim other than having shared a similar job? Maybe he just wanted me (and whoever else he urged to read the article) to simply think about people like him who work in such shops – potentially vulnerable to crazed killers. If so, he succeeded. I go back to the front page and read about how a tweeting president is getting closer to his goal of starting World War Three.

Snap Shot #41: Rear Window

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We have new neighbours. I know this because the window of our kitchen looks across a gap between buildings and into the kitchen window of a unit in the block next door. I already knew that the previous residents had vacated and was reasonably happy about it. They recently had a baby daughter whose lung capacity was rapidly expanding, giving her ever greater volume. Her parents were no doubt unconcerned whether or not we were bothered by her nightly screams, given that over the past three years they had endured the frequent and unpredictable yapping of Nitro the Two Toned Cavoodle. So their exit has pretty much suited all parties. The new neighbours are a fairly young, relatively attractive couple. Perhaps this is their first place together. They certainly seem very lovey-dovey. I know this because earlier today I saw them kissing in the kitchen. Cute. Then the guy started making humping motions while the girl giggled. Normally I might find such playfulness endearing – testament to the joys of young love. But, unfortunately, because this action was framed by that particular window, I was a little horrified. This is no fault of theirs. The blame rests solely with the original resident that lived there when we first moved in. At first he was a bachelor. After an impressive parade of women passed by that window over several years, finally there was just one. It was in the first year together that my wife and I happened to spy them late one night. I was vaguely aware of their presence but wasn’t really paying much attention as I was so used to seeing them. It was my wife who, somewhat wide-eyed, suggested I take a closer look. I did and saw the woman standing in a robe. The man was opposite, leaning against the kitchen counter. But he wasn’t wearing a robe. In fact, he wasn’t wearing anything at all. This in itself was a shock. But wait – there’s more. Not only was he naked, a certain part of his anatomy was standing to attention. And, believe it or not – there’s more still. The organ in question was not just standing to attention – it was moving up and down, as if being put through a late night exercise routine. There are not many things I have seen in my life that I wish I could unsee – but that image is, and will probably remain, at the top of my list. From that moment on, we always referred to that neighbor as ‘Flexi’. So, while it’s likely that the young lovers next door are wonderful people, any hanky-panky they get up to in their kitchen, clothed or otherwise, will always rekindle that stomach churning image of Flexi in action.

Snap Shot #40: Lynched

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David Lynch glows. The white shirt and hair (such great hair) help. But there’s something else going on. He might put it down to his daily Transcendental Meditation practice. But I reckon there’s some serious charisma radiating off the guy. I shake his hand, my face split in half thanks to an ear to ear smile. I am meeting one of my heroes. I’m pumped. And it’s to be more than just a passing meeting. I will soon have an hour of his precious time to interview him. I will then spend the next week traveling around the west coast of the US videoing his lecture tour. Life doesn’t get much better. But first, I’m allowed to have a look around his art studio. So many amazing works hanging off the walls. One in particular captures my imagination. It is a mixed media piece of a figure in a streetscape. But his head is an explosion of pink, red and white. The scrawled title below solves the mystery: “This man was shot .07589 seconds ago.” Perfect. So Lynchian. Unlike his plan to raise seven billion dollars to bring about world peace by introducing TM into American schools. Say what? It’s this super sized ambition that has brought me across from the other side of the planet. Initially I had hoped to produce an international current affairs story but when that fell through, I decided to self finance the trip in order to do a doco. His TM people agreed to give me access – so here I am. Still feels unreal. I’m allowed to record our interview in his sound studio. I walk in and see that there’s an area with a red velvet curtain. Twin Peaks. Love it. I also spot an old fashioned microphone. I’m told by his sound engineer that I can use it to record the interview. I think about it but decide I’d rather put it behind Lynch, purely as a prop. When he comes in and I nervously put a radio mike on him, he’s curious as to why I’m not using his microphone, no doubt worth thousands of dollars. I explain that I thought it would look good behind him but that if he thinks we should put it in front and use it, I’m more than happy to do so. “No, it’s your show. You put it wherever you want. If you feel like that’s a good look, go for it.” Wow. David Lynch has just told me to go for it! I feel elated. Then nervous. What if it looks stupid? I decide to trust my instinct. Looking at the footage later, this was the right call. Phew.

 

Snap Shot #39: Middle-Aged Portly Punks

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It’s with a tinge of embarrassment that I must make a confession. While the following event did definitely happen, the passage of time has dulled some details. For instance, not only can I not place the year of it’s occurrence, I can’t even tell you the decade. In fact, it’s with more than a tinge of embarrassment to confess that I can’t actually nail down the century. I’m pretty sure it took place sometime between the mid nineties and the mid noughties. What I do recall is that it was a rare outing with two old friends from my Perth days: Dean and Adrian. Dean called to see if I was interested in joining them to see re-formed punk rock legends ‘The Buzzcocks.’ Fuck yeah! It was at Sydney’s Metro Theatre – probably the best venue to see a touring band that couldn’t fill the Entertainment Centre. While not exactly the original line-up, the reformation included the band’s creative engine room of Pete Shelley and Steve Diggle. I was slightly shocked to see how portly these punks had become – especially Pete Shelley. I remember the clip of his solo hit ‘Homo Sapien’ and what a camp little skinny guy he was. Not anymore. My shock was short lived, however. Once they started playing, the years (and excess kilos) took flight. These old punks still had it. I was soon pogoing to ‘Orgasm Addict’ and ‘Ever Fallen in Love’, probably because there is really no other form of dance which can keep up with their relentless punk pace. I was sweating. My mates were sweating. The band was soaked. It was fantastic fun. Afterwards, our trio went down the road to the Century Tavern for some beer, pool and to de-brief what had been a great gig. A couple of beers later, who should stagger in? Pete and Steve, no longer soaked in sweat but in desperate need to re-hydrate. Well, we three fans were slapping their backs in no time, thanking them for a rocking trip down memory lane. They seemed genuinely grateful for the attention and the offer of beers and pool. Unfortunately, this is where many of the details have dulled. I remember we were all pretty pissed and shared several rounds of beer and pool. But I can’t recall a thing either of them said. This is partially because I couldn’t understand most of what was slurred in their thick Mancunian accents. But what I was able to understand I remember being pretty funny. They had us all in stitches. I think we left before they did and I vaguely recall telling them how great it was to meet and just hang with them. Or something like that. In retrospect, perhaps it’s not so much the passage of time that has dulled the details of this encounter. I now suspect that it’s probably all those millions of brain cells I slaughtered that night – and over many, many nights since.

Snap Shot #38: Fast Food Fool

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Eating burgers in the back of a rented recreational vehicle parked outside of Macca’s. Hardly a highlight of our family’s adventure around New Zealand’s north island. But this trip is on its last legs and our only goal now is to re-fuel on fast food and get back on the freeway. So once the rubbish is binned, it’s time to get out of the parking area. But how? I have a look and the only possible exit I can see seems to go via the drive thru lane. It’s a bit narrow. But I’ve already managed to navigate this behemoth around some of the island’s most nerve wrecking roads with only minimum damage (paying for the excess-free insurance option proved to be a wise move). So away we go. Until we stop. The raised kerbs take a twist that the RV will not negotiate. Fuck. What do I do now? I look behind me and see a line of cars full of hungry Kiwis. Some start to honk their horns. I try to back out but hit the kerb. My wife is telling me that she said this wouldn’t work. This is not helpful information. A big Maori woman in a Macca’s uniform walks up to my window to say that I can’t go through this way. This is also not helpful information. An irate guy is asking me if I want him to back it out for me. He may as well be asking me to chop off my manhood and hand it over to him. No thanks – I got this. He rolls his eyes and decides to direct me. I inch forward and hit the kerb. I turn the wheel. I inch backwards and hit the other kerb. Sweat is sliding down my face. I turn to see that I now have a considerable audience of bemused Kiwis standing outside their cars watching the show. A couple are even filming it on their phones. I imagine my ordeal appearing on “New Zealand’s Worst Drivers” or “How Stupid are Aussie Tourists?”. Perhaps it will go viral over the net. After what seems like an eternity in Humiliation Hell, I finally  manage to back the RV out of the drive thru lane. There is a small round of applause.

Snap Shot #37: Prime Parade Position

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It’s 1988 and I’m in the home stretch of my eighteen-month stint at the Australian Film Television and Radio School. Although I’ve had little direct contact with the TV department, I decide to volunteer for the outside broadcast of the Sydney Gay and Lesbian Mardi Gras parade. These are still the days before any of the country’s television networks are comfortable with broadcasting the event. So the AFTRS students record it as an exercise. Having been to at least a couple of the parades since moving to Sydney a few years earlier, I figure this could be a way to get a half decent view of the glitter fest. I am assigned as a camera assistant. Since the cameras are pretty self contained and linked directly to the outside broadcast van, the cameraman I’m teamed with has no real use for me. This works for me, especially when I see that our camera is elevated about ten metres by a scissor lift located at Taylor Square. This means that all the glitter adorned floats head straight for us before angling off towards the show grounds. It’s a mind blowing experience and easily the best position to take in all the glitz and glam. The downside doesn’t present itself until every subsequent time I go the parade, straining to see through the crowds, hoping for an abandoned milk crate to stand on for that little bit of precious elevation. But a milk crate is a poor substitute for a scissor lift. So I’m forced to accept that my Mardi Gras parade experience has well and truly peaked.

Snap Shot #36: Low Blow

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“What are you doing with that?” I stop, the heavy ceramic pot feeling gravity’s tug towards the ground. I look up at my confused mother in law on the verandah. I too am confused. I thought she was aware that we’d be taking some her pots home so she wouldn’t have to chuck them when she moves later in the year. Before I can reply, my wife comes to the rescue and urges me on while she explains to her mother that this had already been flagged. So I load up three pots and we transport them from Sydney’s south to Bondi. My son helps me hide them in a corner of our apartment block’s front yard. A few days later, I also hide a couple of nice climbing plants in full bloom and several bags of potting mix. I’m excited that I will soon be able to add to the existing pot with the same type of climbers. My hope is that these attractive bell shaped flowers will eventually climb their way up several dead bamboo shoots – the skeletal remains of a previously failed garden project. The next afternoon, sweat dripping down my face on another humid day, I plant the pots and position two either side of the larger existing one. I also plant an avocado tree that a generous neighbor has given me. I look at my handy work, pleased with how it brings more colour to the front garden. It also feels good to use pots that were destined for the rubbish tip. Over the next few days I keep an eye on them. The climbers seem to be doing well but the avocado tree is struggling. The weather keeps alternating between scorching sunshine and torrential downpours. It is about a week later that I am shocked to see that the two floral pots are no longer there. It takes me a moment to comprehend that they’ve been stolen. What the fuck? Who would do that? I do my best to shrug it off but it eats away at me over the next few days, especially every time I walk past the scene of the crime. It is only days later that a recent memory pops up and demands attention. I recall looking out the window when yet another thunderstorm was threatening. As huge drops started crashing to the ground, I noticed two big dudes in workmen gear outside the building next door. They each grabbed a big pot plant near the entrance and walked off. At the time I assumed they were removalists or in some other way authorised to take the plants. But in hindsight, I now reckon that they were pot plant thieves – quite likely working on the building site across the road and loading stolen plants into their truck at the end of their shift.  Days later they would be doing just that to the plants in our front yard. It does my head in that there are people whose moral compasses are so out of whack that they can do such a thing. What are they doing with them? Surely there’s not a huge black market in stolen pot plants. Do they go home to a garden full of plants nicked from all over Sydney? I just don’t get it. My faith in my fellow man takes a particularly low blow.   

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Snap Shot #35: Stung

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I am in the park doing my daily yoga routine, Nitro the Two Toned Cavoodle wandering about, nose to the ground. Unusually, I am not in my preferred spot. A couple are having their own yoga workout where I tend to have mine. Interestingly, they have a small tripod set up and are recording themselves with a Go Pro. The woman seems to be instructing the man. I manage to position myself behind a tree so as not to be distracted or distracting. I am on my back, about to do some spinal twists, when I spread out my arms. Suddenly, a sharp pain shoots down my left arm. Ouch! I sit up and check it out. I can’t see anything but it feels like I’ve been stung. I search the ground for some sort of stinging creature – bee, wasp or bull ant. Nothing. I look at the spot just above my elbow. I can’t see any swelling or any tiny stinger sticking out. I give it a rub. That helps. I decide to continue my stretching. The pain subsides. I finish and call Nitro over. I attach the lead to his collar and hook it around my foot. He knows the routine. I’m about to close my eyes and meditate. The one time I did this without securing my dog, he got into a fight. It cost me a hundred dollars in vet fees. I meditate. When I open my eyes, the first thing I see is a wasp laying on my black straw hat. Is this the culprit that put me in pain earlier? It seems to be dying, barely moving. I know that bees die soon after they sting but I’m pretty sure wasps don’t. Maybe it’s some sort of skinny bee. As I watch it, I notice an ant has now crawled on top of it, possibly getting ready for a feed. Is the wasp/bee about to be eaten alive? Is it maybe already dead – the movement of its wings similar to a headless chook’s ability to still run around? Should I squash it and put it out of its misery? Can wasp/bees even be in any misery in the first place? Or should I just let nature take it’s course? Deciding the dilemma doesn’t warrant as much thought as I’m already giving it, I flick the wasp/bee off my hat. I notice that the ant is still there, no doubt wondering what the hell happened to the wasp/bee it was about to eat. I shake the hat and the ant sails off. Time to go home.